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Well, we see how much time has passed since that last post … so this will be a bit brief, as time, even to blog, is sometimes hard to find. Among the things I particularly enjoyed about this June Conference were several workshops which enriched my life as a children’s book writer and illustrator and added to my knowledge of craft, inspiration and TUESDAY-DWeisner2curiosity.

A workshop with the children’s book illustrator and author David Wiesner was terrific. He gave the opening keynote, but I also took a workshop with him titled “Reference Is Your Friend.” He’s a brilliant, phenomenally talented and very humble person, and listening to his process as he designs and works out his world-renowned books was fascinating. His recommendation for all the attendees if we would take away one thing? Draw from life.

A workshop by Donna Galanti on world-building was another favorite because  no matter what type of novel we write, whether fantasy or one taking place in our town, we need to create a world for readers. Donna really broke it down, and also provided the rare handout so we could be listening to her presentation without our heads down scribbling notes frantically. She came up with so many useful points that I will refer to as I’m delving into my own novel.

There were more excellent ones, and one or two that were not so fabulous, but we only know by opening ourselves to the presentations and finding out what there is for us to learn. I’d also signed up for two one-on-one critiques for my WIP novel and another for a WIP picture book. One of these was outstanding and gave me some very good direction.

By the end of the first day of the conference, I didn’t see a soul who wasn’t looking a little wiped out, just from running from class to class and then to individual critiques and roundtables. Of course, I could go on. And on. But I’m going to stop here, with a suggestion for all of you who might be reading this and who are interested in writing and/or illustrating children’s books and not already a member of SCBWI.

Join. Join a whole bunch of other talented, dedicated people who want to reach out to children with amazing ideas and stories and visions. Join an organization whose sole existence is to provide everything you’d want to know and more about how to become a writer or illustrator for children. Become familiar with your local branch of SCBWI and see what they have to offer. In New Jersey, we have the annual June Conference, but also some smaller events during the year. You can learn more here on the SCBWI site and check out the chapter nearest you while you’re there.

Maybe I’ll see you at the conference!

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I can hardly believe t’s been a week already since I’ve returned from the 2-day children’s book conference in Princeton. I know I’m not alone when I say I come home exhausted, exhilarated, optimistic, grateful, exhausted, happy, enriched, hopeful, challenged, and oh .. did I mention exhausted?

ExhaustedWoman-AntonioGuillem2

Jumping into my standard 40+ hour work week the very next day does not leave a lot of time for reflecting on all that transpired, reviewing materials, notes from critiques, etc. But numerous thoughts and conclusions were ribboning through my mind on and off all week long, even while I looked forward to this weekend to catch up on some rest and start seriously considering where I was going with children’s books.

And a direction became clear. One of the big attractions of the New Jersey SCBWI Conference is that we offer “one-on-ones” to both writers and illustrators. This is often the focal point of the weekend for those writers who wish a detailed critique from agents and/or editors on their children’s books and illustrators who can have art directors review their portfolios. This year, I went full steam ahead and booked two agent critiques for my middle grade novel and one editor critique for a picture book I’m working on. Of the three critiques, one was so incredibly helpful, I was just thrilled.

In the past I have submitted manuscripts that were as finished and polished as I could get them. They’d been looked at by my critique partners, gone through numerous revisions, and perhaps even been seen at previous conferences. This year was different. The picture book is in the very early stages of development and I sought some insight  and direction. The novel had once been a picture book, and through a number of professional critiques had moved through the chapter book phase to its true calling, middle grade. But I had questions, and I wanted to hear an agent’s opinion.

ADogsPurpose-WBruceCameron2The good news is that one agent confirmed my story is unique and not on the market, and she really liked the concept. The not-surprising news is I have a lot of work ahead of me, as in, now I have to write the rest of the book! This agent really paid attention when looking at my synopsis and the first 15 pages of my manuscript, and offered solid advice. I also came armed with lots of questions, and the ensuing discussion helped to highlight areas I need to focus on, existing concepts I might change to improve it, etc. So for that critique alone, the conference was worth it.

Am I writing today? Not yet. But I am making a plan on how I’m going to get this book written. One aspect of the plan is what I read. You know how you sometimes buy a book but when you get it, you know it’s not the time to read it and temporarily shelve it? The book I need to read right now is pictured here, A Dog’s Purpose.  It was recommended to me at least 4 years ago by the CSR of one of the major printers I work with in my capacity as a graphic designer. As little time as she and I had to chat beyond the work-related, she highly recommended this book for me, and said she knew I’d love it on every level. I know the timing is now perfect and reading it will also enrich the story I’m writing.

More on the conference here …

 

 

 

 

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